tears of rage run down your face, but still you say “it’s fun” - when you’re young.

tears of rage run down your face, but still you say “it’s fun” - when you’re young.

utopianism? from now on, that’s the hell of the past. we have always  been constrained to live in a place that is everywhere but, in that  place, we are nowhere.that’s the reality of our exile.  


(raoul vaneigem, january 6th of 2012, for adbusters culturejammer headquarters)


where to strike next? the complete interview here.

utopianism? from now on, that’s the hell of the past. we have always been constrained to live in a place that is everywhere but, in that place, we are nowhere.

that’s the reality of our exile.


 

where to strike next? the complete interview here.


i’ve posted this mike skinner track, “stay positive”, exactly a year ago. it’s fucking brilliant lyrics that makes me very proud of the streets liñage, as well with people that gets it. skinner was a lad, a fella, a young man when he wrote this, and the most coherent and natural step in his life was to get sick of it all - just like, sadly, he did.but i’ll keep on listening to this. and a lot of people will keep on listening to this: it’ll have something to say forever. but not listening as blind hope or a fragile rope - holding you on until you let it go without breathe or just flying around, around your neck. it is so full of soul, it talks and talks but it’s not at all common-cliche bullshit or fucking bragging-‘bout-yerself-shit, it is so full of reality: i don’t think, since damon albarn, that somebody expressed the hurricane-minded will of young men as good as mike skinner. sure, through different point-of views, but the aim and the goal are the same.in 2012, just try to stay positive - but (and) with everything between.thanks and cheers to everybody out here.—an audio.
—
‘cause this world swallows souls and when the blues unfold it gets  cold, solids burns holes. you’re going mad - perhaps you always were -  but when things was good you just didn’t care: this is called irony.  when you most need to get up you got no energy, time and time shit’ll  happen. the dark shit’s unwrapping but no-one’s listening: your mates  are laughing, your brethren’s fucking and then you start hating.your  stomach starts churning and you mind starts turning, so smoke another  draw: it won’t matter no more - but the next day still feels sore. rain  taps on your window - always did tho’ but you didn’t hear it when things  were so-so - you’re on your own now, your little zone, you were born  alone and believe me: you’ll die alone. weed becomes a chore, you want  the buzz back so you follow the others onto smack.(…)“stop  dreaming”: people who say that are blaspheming, they’re doing  nine-to-five and moaning, and they don’t want you succeeding when  they’ve blown it. and your idols: who are they? they too dreamt about  their day. positive steps will see your goals, whether it’s dollars or  control, feel the gold. i ain’t helping you climb the ladder, i’m busy  climbing mine: that’s how it’s been since the dawn of time. if you reach  a cul-de-sac the world turns it’s back. this is your zone,  it’s like blackjack: he might get the ace or the top one, so organise  your two’s and three’s into a run then you’ll have fucked him some and  for that you’ll be the better one.one last thing before you go,  though: when you feel better tommorow you’ll be a hero, but never forget  today. you could be back here. things can stray. what if you see me in  that window? you won’t help me, i know. that’s cool, just keep walking  where you go. carry on through the estate, stare at the geezers so they  know you ain’t lightweight and go see your mates. and when they don’t  look happy play them this tape.i hope you understand me: i ain’t  no preaching fucker and i ain’t no do-goody-goody either, this is about  when shit goes pear-shaped and if you aren’t or ever have been at rock  bottom, then good luck to you in the big wide world. but remember that  one day shit might just start crumbling, your bird might fuck off or you  might lose your job. it’s when that happens that what i’m talking about  will feel much more important to you.so if you ain’t feeling it, just be thankful that things are cool in your world.just try and stay positive.

i’ve posted this mike skinner track, “stay positive”, exactly a year ago. it’s fucking brilliant lyrics that makes me very proud of the streets liñage, as well with people that gets it. skinner was a lad, a fella, a young man when he wrote this, and the most coherent and natural step in his life was to get sick of it all - just like, sadly, he did.

but i’ll keep on listening to this. and a lot of people will keep on listening to this: it’ll have something to say forever. but not listening as blind hope or a fragile rope - holding you on until you let it go without breathe or just flying around, around your neck. it is so full of soul, it talks and talks but it’s not at all common-cliche bullshit or fucking bragging-‘bout-yerself-shit, it is so full of reality: i don’t think, since damon albarn, that somebody expressed the hurricane-minded will of young men as good as mike skinner. sure, through different point-of views, but the aim and the goal are the same.

in 2012, just try to stay positive - but (and) with everything between.

thanks and cheers to everybody out here.



an audio.

‘cause this world swallows souls and when the blues unfold it gets cold, solids burns holes. you’re going mad - perhaps you always were - but when things was good you just didn’t care: this is called irony. when you most need to get up you got no energy, time and time shit’ll happen. the dark shit’s unwrapping but no-one’s listening: your mates are laughing, your brethren’s fucking and then you start hating.

your stomach starts churning and you mind starts turning, so smoke another draw: it won’t matter no more - but the next day still feels sore. rain taps on your window - always did tho’ but you didn’t hear it when things were so-so - you’re on your own now, your little zone, you were born alone and believe me: you’ll die alone. weed becomes a chore, you want the buzz back so you follow the others onto smack.

(…)

“stop dreaming”: people who say that are blaspheming, they’re doing nine-to-five and moaning, and they don’t want you succeeding when they’ve blown it. and your idols: who are they? they too dreamt about their day. positive steps will see your goals, whether it’s dollars or control, feel the gold. i ain’t helping you climb the ladder, i’m busy climbing mine: that’s how it’s been since the dawn of time. if you reach a cul-de-sac the world turns it’s back. this is your zone, it’s like blackjack: he might get the ace or the top one, so organise your two’s and three’s into a run then you’ll have fucked him some and for that you’ll be the better one.

one last thing before you go, though: when you feel better tommorow you’ll be a hero, but never forget today. you could be back here. things can stray. what if you see me in that window? you won’t help me, i know. that’s cool, just keep walking where you go. carry on through the estate, stare at the geezers so they know you ain’t lightweight and go see your mates. and when they don’t look happy play them this tape.

i hope you understand me: i ain’t no preaching fucker and i ain’t no do-goody-goody either, this is about when shit goes pear-shaped and if you aren’t or ever have been at rock bottom, then good luck to you in the big wide world. but remember that one day shit might just start crumbling, your bird might fuck off or you might lose your job. it’s when that happens that what i’m talking about will feel much more important to you.

so if you ain’t feeling it, just be thankful that things are cool in your world.

just try and stay positive.

“a man of great promise” was paul weller’s ardent eulogy to his school  friend dave waller, who had died from a heroin overdose in 1982. paul had  already paid homage to him in 78’s all mod cons songbook: “dave, your  words fill me with new hope for the modern world, whilst your words on  decay and destruction have the foresight of a person a 1000 years old. there are those who are held in high esteem who do not deserve it in  light of you.” —“i still play that sometimes. i was really  saddened by his death. it was inevitable though because  he went down that path. he was a friend from the old days, he was much  more literary than me, i was only reading the NME then, but he was a  real talent as a writer and poet. he’d point out lyrics and meanings in dylan and donovan songs that i hadn’t picked up on because i was only  listening to the music then.”(paul weller, 2006)

“a man of great promise” was paul weller’s ardent eulogy to his school friend dave waller, who had died from a heroin overdose in 1982. paul had already paid homage to him in 78’s all mod cons songbook: “dave, your words fill me with new hope for the modern world, whilst your words on decay and destruction have the foresight of a person a 1000 years old. there are those who are held in high esteem who do not deserve it in light of you.”



“i still play that sometimes. i was really saddened by his death. it was inevitable though because he went down that path. he was a friend from the old days, he was much more literary than me, i was only reading the NME then, but he was a real talent as a writer and poet. he’d point out lyrics and meanings in dylan and donovan songs that i hadn’t picked up on because i was only listening to the music then.”

(paul weller, 2006)

ouça / listen:ambiente de festival (é proibido proibir)atmosphere of the festival (it’s forbidden to forbid)philips 365.257-B 7”. caetano veloso, os mutantes & the audience.1968.—mas é isso que é a juventude que diz que quer tomar o poder? vocês têm coragem de aplaudir, este ano, uma música, um tipo de música que vocês não teriam coragem de aplaudir no ano passado! são a mesma juventude que vão sempre, sempre, matar amanhã o velhote inimigo que morreu ontem! vocês não estão entendendo nada, nada, nada, absolutamente nada!so this is the youth of today that want to take over power? you have the courage to applaud, this year, a music, a type of music you would not dare to applaud last year! this is the same youth that will always, always, kill tomorrow the old enemy who died yesterday! you do not understand anything, anything, anything, absolutely nothing!(caetano veloso, 1968, em discurso raivoso que interrompeu a execução da música “é proibido proibir” no terceiro festival internacional da canção, inspirada nas pichações de maio de 1968 na frança: “il est interdit d’interdire”)(caetano veloso, in 1968, in a raging speech that interrupted the performance of “é proibido proibir” [it’s forbidden to forbid] in the third international song festival, song inspired by the events and graffiti of may 1968 in france: “il est interdit d’interdire”)

ouça / listen:
ambiente de festival (é proibido proibir)
atmosphere of the festival (it’s forbidden to forbid)
philips 365.257-B 7”. caetano veloso, os mutantes & the audience.
1968.



mas é isso que é a juventude que diz que quer tomar o poder? vocês têm coragem de aplaudir, este ano, uma música, um tipo de música que vocês não teriam coragem de aplaudir no ano passado! são a mesma juventude que vão sempre, sempre, matar amanhã o velhote inimigo que morreu ontem! vocês não estão entendendo nada, nada, nada, absolutamente nada!

so this is
the youth of today that want to take over power? you have the courage to applaud, this year, a music, a type of music you would not dare to applaud last year! this is the same youth that will always, always, kill
tomorrow the old enemy who died yesterday! you do not understand anything, anything, anything, absolutely nothing!


(caetano veloso, 1968, em discurso raivoso que interrompeu a execução da música “é proibido proibir” no terceiro festival internacional da canção, inspirada nas pichações de maio de 1968 na frança: “il est interdit d’interdire”)

(caetano veloso, in 1968, in a raging speech that interrupted the performance of “é proibido proibir” [it’s forbidden to forbid] in the third international song festival, song inspired by the events and graffiti of may 1968 in france: “il est interdit d’interdire”)

secret to happiness, unknown year. unknown artist.

secret to happiness, unknown year. unknown artist.

total art match-box, 1966. ben vautier.

total art match-box, 1966. ben vautier.

robert montgomery’s pieces follow the situationist tradition of detournement, which is basically the hijacking of advertising space to replace it with ideas.ads usually fill up mental space with restelessness, insecurity, and the desire the ideal. one changed detail in today’s everyday life can be enough to challenge a psychological landscape that is otherwise so easy to take for granted.

robert montgomery’s pieces follow the situationist tradition of detournement, which is basically the hijacking of advertising space to replace it with ideas.

ads usually fill up mental space with restelessness, insecurity, and the desire the ideal. one changed detail in today’s everyday life can be enough to challenge a psychological landscape that is otherwise so easy to take for granted.